“El Dorado: Myths of Gold,” hosted by the Americas Society/Council of the Americas, is on view through May 18, 2024. It features many artists from the broader Caribbean region and the diaspora, including Scherezade García, Hew Locke, Ebony G. Patterson, and Alberta Whittle, among others. See full list below. The Americas Society is located at 680 Park Avenue, New York, New York. [Many thanks to Peter Jordens for bringing this item to our attention.]
Americas Society presents the second part of El Dorado: Myths of Gold, a two-part group exhibition exploring the legend of El Dorado as a foundational myth of the Americas. The exhibition presents artworks by more than sixty artists, from the pre-Hispanic period to the contemporary era, that challenge, reinforce, and question the continuity and effects of the myth in the Americas into the present.
El Dorado is a tale of searches and quests, delirium, and violence. During the colonization of the Americas, rumors of an Indigenous kingdom replete with gold and precious stones quickly permeated the European imagination, galvanizing the invasion of the continent without regard for Indigenous lives, ancestral territories, or environmental concerns. Despite never being found, the mythical El Dorado functioned as a foundational ethos for the colonization of the Americas that persists until today. The city of gold has transformed into more intangible, though equally powerful, personal and collective values—such as individualism, greed, and consumerism—that are central to contemporary capitalist societies.
As we grapple with the enormous long-term sociopolitical and environmental effects of this operating dynamic, there is a pressing need to reevaluate its influence on our identification as human beings and members of a globalized society. Presenting artworks from the precolonial period to today, this exhibition complicates and reevaluates the idea of El Dorado, employing the myth as a framework for understanding the Americas. By placing historical and contemporary artworks together, the exhibition facilitates dialogues between past and present to investigate how the myth has shaped the value of gold, as well as that of territories, peoples, religious beliefs, and nature.
Part I of the exhibition was on display from September 6 through December 16, 2023, and part II takes place from January 24 through May 18, 2024. View gallery and visitors information here.
The exhibition is accompanied by two publications: an exhibition catalog featuring a curatorial text along with the exhibition checklist, published in September 2023; and a reader on El Dorado featuring essays by more than fourteen scholars as well as primary sources, published January 2024.
Artists in the show include: Olga de Amaral, Denilson Baniwa, Bruno Baptistelli, Andrés Bedoya, Charles Bentley, Juan Brenner, Fernando Bryce, Wendy Cabrera Rubio, Leda Catunda, Chiriquí artist, Coclé artists, william cordova, Juan Covelli, Covens & Mortier, Theodor De Bry, Dario Escobar, Scherezade Garcia, Anna Bella Geiger, Mathias Goeritz, Joaquín Gutiérrez, Thomas Hariot, John Harris, Pablo Helguera, Ana Mercedes Hoyos, Alfredo Jaar, Nancy La Rosa & Juan Salas Carreño, Lambayeque artist, Jaime Lauriano, Mariano León, Hew Locke, Karen Lofgren, Juan Pedro López, Liliana Maresca, Esperanza Mayobre, Sara Mejia Kriendler, Ana María Millán, Marta Minujín, Herman Moll, Priscilla Monge, Santiago Montoya, Carlos Motta, Eamon Ore-Giron, Rubén Ortiz Torres, Ebony G. Patterson, Rolando Peña, José Antonio Peñaloza, Armando Queiroz, Ronny Quevedo, Mazenett Quiroga, Quimbaya style artist, Freddy Rodríguez, Carlos Rojas, Miguel Ángel Rojas, Luis Romero, Harmonia Rosales, Johann Moritz Rugendas, Tiago Sant’Ana, Julia Santos Solomon, Vicente Telles, Pedro Terán, Ernest Charton de Treville, Moara Tupinambá, Veraguas artist, Laura Vinci, and Alberta Whittle.
Curated by Aimé Iglesias Lukin, Tie Jojima, and Edward J. Sullivan. [. . .]
For press inquiries, contact mediarelations@as-coa.org. For general inquiries, contact art@as-coa.org.
[Shown above: Bentley and Robert H. Schomburgk, Twelve Views in the Interior of the Guianas, 1840; Ernest Charton de Treville, Guayaquil, 1849; Johann Moritz Rugendas, View of Valparaíso, 1842. Design Estudio Herrera.]Source link
